Schenker's argument and the claims of music theory
Leslie David Blasius
Heinrich Schenker's theoretical and analytical method occupies a central (and often troubling) position in modern Anglo-American musical studies. His writings claim to resubstantiate the unique artistic presence of the canonic work, and reject those disciplines, such as psychoacoustics and systematic musicology, which derive from the natural sciences. This book rereads Schenker's project as an attempt to reconstruct music theory as a discipline against the background of the new empirical musical sciences of the later nineteenth century, such as the psychological and historical investigations of music.
Категории:
Год:
1996
Издание:
First Edition
Издательство:
Cambridge University Press
Язык:
english
Страницы:
172
ISBN 10:
0521550858
ISBN 13:
9780521550857
Серия:
Cambridge studies in music theory and analysis 9
Файл:
DJVU, 1.05 MB
IPFS:
,
english, 1996